"How can a serious commitment to diversity in cultural institutions look like? What roles are assigned to artists on the basis of their race, and what expectations are placed on their artistic work? Helena Eribenne addresses these questions in the performance Woman to Woman II, in which she reflects and questions the conditions of visibility in the art field: In the award-winning project [...] she enters into a fictitious dialogue with her female, institutional counterpart, a white curator, which is accompanied musically with reference to Shirley Brown’s song ‘Woman to Woman’ (1974).[...] Helena Eribenne’s performance at the Kunstraum Niederoesterreich promises a productive throwback to the 1970s to question the relevant intersectional mechanisms of exclusion in the art world today."