Kunstraum Niederösterreich

Born in Johannesburg, 1972. Based in Berlin.

EDUCATION
1998 - 2002 Doctoral Candidate in Art History - Columbia University  (New York)
1997 Whitney Independent Studio Program – Whitney Museum (New York)
1997 M.Phil. Art History - Columbia University (New York)
1995 M.A. Art History – University of Chicago  (Chicago)
1993 B.A. (Fine Arts) - University of the Witwatersrand (Johannesburg)


RESIDENCIES/STIPENDS
2006 Baltic Centre for Contemporary Art (Gateshead)
2005 Cité Internationale des Arts (Paris)
2003 IASPIS International Artists' Studio Program (Stockholm)
2002 Künstlerhaus Bethanien International Artists in Residency Program (Berlin)
2002 Artpace International Artist-in-Residence Program (San Antonio)
2001 O.K Centrum für Gegenwartskunst Oberösterreich (Linz)
2000 Künstlerhaus Schloss Wiepersdorf (Wiepersdorf)


SELECTED PUBLIC COLLECTONS
• Hamburger Kunsthalle (Hamburg)
• Kunstmuseum St. Gallen (St. Gallen)
• Solomon R. Guggenheim Museum (New York)
• Castello di Rivoli (Turin)
• Louisiana Museum of Modern Art (Humlebæk, Denmark)
• Musée d'Art Moderne Grand-Duc Jean (Luxembourg)
• Museo de Arte Contemporáneo de Castilla (León)
• Institut d'art Contemporain / Collection Frac Rhone-Alpes (Lyon)
• Milwaukee Art Museum (Milwaukee)
• The Henry Art Gallery (Seattle)
• Kunstmuseum Lichtenstein (Vaduz)
• Collezione La Gaia / Villa Manin Center for Contemporary Art
• ARCO Foundation Collection (Madrid)


SELECTED PRIVATE COLLECTIONS FOUNDATIONS
• Sammlung Goetz (Munich)
• Thyssen-Bornemisza Contemporary Art Foundation (Vienna)
• Manilow Collection (Chicago)
• Sonnabend Collection (New York)
• Bill + Ruth True Collection (Seattle)
• Fondazione Teseco (Pisa)
• The Cisneros Fontanals Art Foundation (Miami)
• Collezione Gemma Testa (Turin)
• Anita + Poju Zabludowicz Collection (London)
• Collection Pierre Huber (Geneva)
• Dimitris Gigourtakis Collection (Athens)
• The West Collection (Pennsylvania)
• Moorilla Museum of Antiquities (Tasmania)


ONE-ARTIST EXHIBITIONS
* indicates exhibition catalogue

2006   
Konstmuseum Uppsala (Uppsala)
Baltic Centre for Contemporary Art (Gateshead)
Hellenic American Union (Athens) *
Kukje Gallery (Seoul) *
Bawag Foundation (Vienna)

2005   
Castello di Rivoli (Turin) *
Palais de Tokyo (Paris)
White Cube (London) *
Sonnabend Gallery (New York) *
Edith-Russ-Haus für Medienkunst (Oldenburg) *
Mercer Union, A Centre for Contemporary Art (Toronto)
Bob Marley Museum (Kingston) *
Das Schiff (Basel) *

2004   
Sonnabend Gallery (New York)
Moderna Museet (Stockholm)
FACT / Foundation for Art & Creative Technology (Liverpool)
Tokyo Wonder Site (Tokyo) *
Galleri Roger Björkholmen (Stockholm)

2003   
Modern Art Oxford (Oxford) *
Galerie Max Hetzler (Berlin)
aspreyjacques (London)
De Beeldbank (Eindhoven)
Goethe Institute (Zagreb)

2002   
Artpace San Antonio (Texas)
INOVA Institute of Visual Arts (Milwaukee)
Künstlerhaus Bethanien (Berlin) *
Museum Folkwang / RWE-Turm (Essen) *
Miami Basel Statements (Miami)

2001   
De Appel Foundation (Amsterdam)
O.K Center for Contemporary Art Upper Austria (Linz) *
Kunstverein St. Gallen Kunstmuseum (St. Gallen) *
Galerie Johnen & Schöttle (Cologne)
Galleri Roger Björkholmen (Stockholm)
Galeria João Graça (Lisbon)
galleria francesca Kaufmann (Milan)

2000   
Centre d’Art Contemporain Genève (Geneva)
New Museum of Contemporary Art (New York)
Galerie Art + Public (Geneva)
Galerie Rüdiger Schöttle (Munich)
galleria francesca kaufmann (Milan)
Chicago Project Room (Chicago)
Künstlerhaus Schloss Wiepersdorf (Wiepersdorf)

1999   
Galerie Rüdiger Schöttle (Munich)
Galleri Roger Björkholmen (Stockholm)

1998   
Galerie Johnen & Schöttle (Cologne)
Sala Mendoza (Caracas) *
Chicago Project Room (Chicago)
Galleri Roger Björkholmen (Stockholm)

1997   
Craig Krull Gallery (Los Angeles)
Silverstein Gallery (New York)
Galerie Rüdiger Schöttle (Munich)

1996   
The Space Gallery - The Rainbow Show (Johannesburg)

1995   
Cochrane Woods Art Center - Tourist Works (Chicago)

1994   
Institute of Contemporary Art - Serial Corpses (Johannesburg)


SELECTED GROUP EXHIBITIONS
* indicates exhibition catalogue

2006   
Mori Art Museum - Tokyo-Berlin / Berlin-Tokyo – Tokyo *
Louisiana Museum of Modern Art - Sip My Ocean - Humlebaek, Denmark *
Neue Nationalgalerie - Berlin-Tokio / Tokio-Berlin – Berlin *
Kunsthalle Mannheim - Full House: Faces of a Collection - Mannheim
Centraal Museum - This is America! - Utrecht *
Santa Monica Museum of Art – Dark Places – California *
Collection Lambert en Avignon - Figures de l’acteur, Le Paradoxe du comédien - Avignon *
Adelaide Bank Festival of Arts - Video Venice - Adelaide, Australia
Philbrook Museum of Art – CUT: Film as Found Object – Tulsa *
Mary Boone Gallery – Hiding in the Light – New York
Le Magasin Centre National d’Art Contemporain - Collection Pierre Huber - Grenoble *
Kunstmuseum St. Gallen – Lifestyle – St. Gallen
O.K Center for Contemporary Art - Biennale Cuvée – Linz *
Haus am Waldsee - Anstoß Berlin, Kunst macht Welt - Berlin
Akademie der Künste - sonambiente 2006 - Berlin *
La Casa Encendida - Festival In-Presentable - Madrid
Galerie der Stadt Wels - Candice Breitz & Elfie Semotan - Wels *
Hangar Bicocca - Start - Milan *
De Warande - Nie Meer - Turnhout, Belgium
Curzon Soho Cinema - International Exhibitionist Screening - London
Musée d'art contemporain du Val de Marne - Video Program - Vitry-sur-Seine
Katonah Museum of Art - Wonder Women: Idols in Contemporary Art - New York

2005   
51st Venice Biennale – The Experience of Art – Venice *
Kunsthalle Wien - Superstars - Vienna *
Milwaukee Art Museum – CUT: Film as Found Object – Milwaukee *
Zwirner + Wirth Gallery – Girls on Film – New York
Armand Hammer Museum – Fair Use – Los Angeles
Castello di Rivoli - From the Electronic Eye. Works from the Video Collection – Turin *
Palazzo delle Papesse - Guardami. Percezione del video – Siena *
Museo de Arte Contemporáneo de Castilla y León – Fusion – León *
Nikolaj Contemporary Art Center - Circa Berlin - Copenhagen *
Sørlandets Kunstmuseum - Others -  Kristiansand *
Milwaukee Art Museum - Artists Interrogate:  Race and Identity – Milwaukee
Centro Cultural Chacao – Manipulations – Caracas *
Collection Lambert en Avignon - Theorema:
La Collection D’Enea Righi -  Avignon *
Le Musée cantonal des Beaux-Arts de Lausanne - Collection Pierre Huber – Lausanne *
Centre pour l'image contemporaine - 11th Biennale de l'Image en Mouvement – Geneva
Museum der Weltkulturen – Africa Screams – Frankfurt am Main *
Centro Atlántico de Arte Moderno – Scrabble – Las Palmas
Museo d'arte Provincia di Nuoro – Bring Your Own: The Teseco Collection – Nuoro, Italy
Galleria Continua – Senza Confine - San Gimigniano
22nd Kassel Documentary, Film and Video Festival – Kassel *
Palast der Republik - 36 x 27 x 10 - Berlin
W139 – Global Tour – Amsterdam *
NGBK – Moving On – Berlin *
Tranzit – Aiwa To Zen – Prague

2004   
Montevideo Time Based Arts - TV Today – Amsterdam
Kunsthalle Wien – Africa Screams – Vienna *
Henry Art Gallery – The Work of the Work - Seattle *
Queensland Art Gallery - Video Hits – Brisbane *
The Bronx Museum of the Arts - Music/Video – New York
Tokyo Opera City Art Gallery – Why Not Live For Art? – Tokyo
Kunstmuseum St. Gallen – Me Myself I – St. Gallen
Villa Arson – Shake – Nice *
Museum of Contemporary Art – CUT: Film as Found Object – North Miami *
O.K Center for Contemporary Art – Shake Staatsaffäre – Linz *
Museum für Photographie - Aufruhr der Gefühle – Braunschweig *
Kunsthalle Göppingen - Aufruhr der Gefühle – Göppingen *
Art 35 Basel – Art Unlimited – Basel *
Macedonian Museum of Contemporary Art - Any Place Any – Thessaloniki *
Galerie der Stadt Wels – Videothek - Wels
Saltworks Gallery – Strange Planet – Atlanta *
Loushy Art & Editions – Gewalt – Tel Aviv *
Iwalewa House – Africa Screams – Bayreuth*
João Ferreira Gallery – Visions of Paradise - Cape Town *
Albany History Museum - Through the Looking Glass - Grahamstown, South Africa *
O.K Center for Contemporary Art - Open House: Art and the Public Sphere – Linz *
Klein Karoo National Arts Festival – Democracy and Change – Oudtshoorn, South Africa *
Kunsthalle Kiel – Weiße Nächte Kiel Oben – Kiel
Kunsthalle Wien – 100 Handlungsanweisungen - Vienna*
Galerie Steinek - Cabinet photographique érotique - Vienna

2003   
Kunsthalle Nürnberg - fuckin' trendy -  Mode in der zeitgenössischen Kunst – Nürnberg *
National Museum of Art Osaka - Continuity and Transgression – Osaka *
Govett-Brewster Art Museum - Extended Play: Art Remixing Music – New Zealand *
Museum of Modern Art Dubrovnik – Brightness (Works from the Collection of the
Thyssen-Bornemisza Contemporary Art Foundation)  – Dubrovnik *
Dundee Contemporary Arts – Plunder – Dundee *
2nd International Biennial for Contemporary Art in Göteborg – Sweden *
Kunstmuseum St. Gallen – Striptease: Vom Verschleiern + Enthüllen in der Kunst – St. Gallen
Centro Galego de Arte Contemporánea – Looks of Complicity – Santiago de Compostela
aspreyjacques – Some Things We Like… - London
Galleri Roger Björkholmen - Pictured – Stockholm
Sketch – Anemic Cinema – London
Longwood Art Gallery – Paradigms – Bronx, New York
Cité des Arts - Fins des Histoires? Une traversée plurielle – Chambéry, France
ShugoArts - Gallery Opening Show – Tokyo

2002
Tate Liverpool - Remix: Contemporary Art and Pop – Liverpool *
Castello di Rivoli – Arte in Video – Rivoli *
National Museum of Modern Art, Tokyo - Continuity + Transgression – Tokyo *
ZKM – Iconoclash: Image-Making in Science, Religion & Art – Karlsruhe *
Hamburger Kunsthalle - Schrägspur – Hamburg
Musée d'Art Moderne et Contemporain - Vidéo Topiques – Strasbourg *
Art Tower Mito Contemporary Art Center - Screen Memories – Tokyo *
Studio Museum in Harlem - Africaine - New York
Caligari FilmBühne – 40 Jahre: Fluxus und die Folgen – Wiesbaden
Saga-cho Shokuryo Building – Emotional Site - Tokyo *
8th Baltic Triennial of International Art - Centre of Attraction – Vilnius *
Gale Gates - Superlounge - Brooklyn, New York
Espai d’Art Contemporani de Castelló – In the Side of Television – Castellon *
Anthony Wilkinson Gallery - Candice Breitz, Christian Jankowski, Kenny Macleod – London
Klein Karoo National Arts Festival – Sublimation – Oudtshoorn, South Africa *
Navy Pier, Chicago Art Fair – Metropolis – Chicago *
Edith-Russ-Haus für Medienkunst - Total Überzogen – Oldenburg *
Galerie Michel Rein – Solitudes - Paris
2001    Kunsthalle Wien - Tele[Visions] – Vienna *
Hamburger Kunsthalle - Monet’s Legacy. Series: Order and Obsession – Hamburg *
Museum Fridericianum – Looking at You – Kassel *
Tirana Biennale 2001 – Escape – Tirana *
19th World Wide Video Festival 2001 - Amsterdam *
Palazzo Delle Papesse - Su La Testa! - Siena
Collection Frac Rhône-Alpes / Les Subsistances - Sculpture Contemporaine - Lyon
NY Center for Media Arts - Electronic Maple - New York *
Galleria Continua - Post-Production - San Gimigniano *
18th  Kassel Documentary, Film and Video Festival – Kassel *
aspreyjacques - Hallucinating Love Foundation - London
Atlantis Gallery - My Generation - London
Galerie Grita Insam - En Avant - Vienna
White Box - Prodigal Prodigy - New York *
Cohan Leslie & Browne - Song Poems - New York *
Galerie Mezzanin - Group Exhibition – Vienna

2000   
Taipei Biennale 2000 - The Sky is the Limit! – Taipei *
Kwangju Biennale Korea 2000 - Man + Space – Kwangju *
ZKM - The Anagrammatical Body – Karlsruhe *
Kunstverein München - The Wounded Diva – Munich *
Museum Fridericianum - Das Lied von der Erde – Kassel *
Fotogalerie Wien - Körper – Vienna *
Galleri Roger Björkholmen - Horizons - Stockholm
Kunstpanorama Luzern - face-à-face - Lucerne
João Ferreira Gallery - One-Night Stand - Cape Town
Rare Art Gallery - Tomorrow- New York *
White Columns - 30th Anniversary Benefit - New York
Bard Center for Curatorial Studies - Translations - New York
Akademie Wien - Day Against Racial Discrimination - Vienna
Cinéma Le Pestel - One Film for One Screen – Die

1999   
6th International Istanbul Biennial - The Passion and the Wave – Istanbul *
Kunsthaus Mürzzuschlag - The Anagrammatical Body – Mürzzuschlag *
Museum Ludwig Köln -  Global Art 2000 – Cologne *

1998   
XXIV Bienal de São Paulo - Roteiros, Roteiros, Roteiros…  -  São Paulo *
Canal de Isabel II - Interferences – Madrid *
Centro Atlantico de Arte Moderno - Transatlantico - Canary Islands *

1997   
Artist’s Space – Permutations - New York
P.S.1 - Heaven: A Private View - New York
Johannesburg Biennale - Graft - Cape Town *
Ten in One Gallery - Funny Pictures – Chicago
Clementine Gallery - Me - New York
Silverstein Gallery - June Show 1997 - New York
Espacio 204 - Tran<sonic - Caracas

1996   
Thread Waxing Space - Romper Room - New York
Neue Galerie Graz in Reininghaus - Inklusion/Exklusion – Graz *
Kunstforeningen – Interzones – Copenhagen *
The Space Gallery - Group Exhibition – Johannesburg

1995   
Africana Museum - Black Looks/White Myths – Johannesburg *
Johannesburg Biennale - Taking Liberties/The Body Politic – Johannesburg
 

MONOGRAPHS
* Beccaria, Marcella (editor). Candice Breitz. (Rivoli-Torino: Castello di Rivoli, 2005)  exhibition catalogue.
* Cotter, Suzanne (editor). Candice Breitz: Re-Animations. (Oxford: Modern Art Oxford, 2003) exhibition catalogue.
* Himmelsbach, Sabine and von Sydow, Paula (editors). Candice Breitz: Mother. (Frankfurt: Revolver Archiv für Aktuelle Kunst, 2005) exhibition catalogue.
* Neri, Louise (editor). Candice Breitz. (London: White Cube, 2005) exhibition catalogue published by Francesca Kaufmann, Jay Jopling/White Cube, and Sonnabend Gallery.
* Potamianou, Artemis (editor). Candice Breitz. (Athens: Hellenic American Union, 2006) exhibition catalogue.
* Sturm, Martin and Plöchl, Renate (editors). Candice Breitz: Cuttings. (Linz: O.K Center for Contemporary Art Upper Austria, 2001) exhibition catalogue.
* Tannert, Christoph (editor). Candice Breitz: ALIEN (Ten Songs from Beyond). (Essen: Museum Folkwang im RWE Turm, October – December, 2002) exhibition catalogue. http://flash.isateam.de/global/candice%20Breitz/candicebreitz.html


SELECTED BIBLIOGRAPHY
* Allen, Jennifer. 'Candice Breitz: From A to B and Beyond,' in: Cotter, Suzanne (editor).  Candice Breitz: Re-Animations. (Oxford: Modern Art Oxford, 2003) exhibition catalogue.
* Althen, Michael. 'Ich bin deine Erfindung,’ Frankfurter Allgemeine Zeitung (Frankfurt: October 13, 2005) p. 39.
* Altstatt, Rosanne. `Killing Me Softly… An Interview with Candice Breitz,’ Kunst-Bulletin (June, 2001).
* Atkinson, Brenda. `Rethinking Pornography: Imaging Desire (Candice Breitz interviewed by Brenda Atkinson,’ Camera Austria  (No 56: 1996).
* Atkinson, Brenda and Breitz, Candice (editors). Grey Areas: Representation, Identity and Politics in Contemporary South African Art. (Johannesburg: Chalkham Hill Press, 1999).
* Auer, James. ‘Milwaukee Art Museum Recasts its Contemporary Collection,’ Milwaukee Journal Sentinel (February 21, 2004). Also: www.jsonline.com/onwisconsin/arts/feb04/208984.asp
* Auer, James. ‘Visuals Overtake Traditional Art Forms at INOVA,’ Milwaukee Journal Sentinel (November 27, 2002).
* Axel, Brian Keith. `Disembodiment and the Total Body: A Response to Enwezor on Contemporary South African Representation,’ Third Text 44 (Autumn, 1998).
* Basilico, Stefano (editor). CUT: Film as Found Object in Contemporary Video). (Milwaukee: Milwaukee Art Museum, 2004) exhibition catalogue.
* Bester, Rory. ‘Candice Breitz at White Cube, London,’ Art South Africa (Volume 4: Issue 2 / Summer 2005) pp. 77 - 78.
* Bettens, Walter. ‘Get up, Stand up: The Making of Legend (A Portrait of Bob Marley),’ DAMn° Magazine (Issue 5: February - March, 2006) pp. 142 - 145.
* Bourriaud, Nicolas. Postproduction: Sampling, Programming, Displaying. (Exhibition Catalogue: Galleria Continua, San Gimignano, 2003). 
* Büsing, Nicole and Klaas, Heiko. ‘Wiederholungszwang,’ Kieler Nachrichten (September 27, 2001).
* Burke, Gregory and Rees, Simon. Extended Play: Art Remixing Music. (Exhibition Catalogue: Govett-Brewster Art Gallery, New Plymouth, New Zealand, 2003).
* Bussel, David. ‘Candice Breitz,’ i-D Magazine (January, 2003) p. 171.
* Cartier, Stephan. ‘Der Rhythmus der neuen Zeit geht in Serie,’ Weser-Kurier (September 28, 2001).
* Chambers, Nicholas. ‘Candice Breitz: Mother + Father – Interview with Nicholas Chambers,’ Artlines (Volume 2/2005: Queensland Art Gallery, South Brisbane, Australia) pp. 12 – 15.
* Cherubini, Laura. ‘Tre star brillano nel cielo di Candice Breitz,’ il Giornale (Milan: October 22, 2001).
* Cincinelli, Saretto. ‘Post Production: Galleria Continua, San Gimignano,’ Flash Art Italia (No. 229: August – September, 2001). 
* Corbetta, Caroline. ‘Candice Breitz: Francesca Kaufmann,’ Flash Art Italia (No. 221: April - May, 2000).
* Cotter, Holland. ‘Cinema à la Warhol, With Cowboys, Stillness and Glamour,’ New York Times (Friday, April 5, 2002).
* Crompton, Sarah. ‘Why Women Slipped out of the Frame,’ The Daily Telegraph (London: June 29, 2005).
* Darwent, Charles. ‘Shot by Both Sides,’ The Independent on Sunday (London: September 11, 2005) p. 33.
* Dezuanni, Rebecca et al. Video Hits: Art & Music Video. (Exhibition Catalogue: Queensland Art Gallery, South Brisbane, Australia, 2004).
* Diez, Renato. 'Art Basel: Una festa per l’arte,’ Arte (Numero 373: September, 2004) p.73.
* Dorment, Richard. ‘Screaming and Singing,’ The Daily Telegraph (London: September 6, 2005) p. 21.
* Dorment, Richard. ‘The Star Pavilions,’ The Daily Telegraph (London: June 15, 2005) p. 17.
* Dyer, Richard. 'Is a Memory Something You Have, or Something You Have Lost,' in: Grant, Catherine et al. Electronic Shadows: The Art of Tina Keane (London: Black Dog Publishing, 2004) p. 74.
* Dziewior, Yilmaz. `Candice Breitz: Galerie Johnen & Schöttle,’ Artforum (March, 1999).
* Enwezor, Okwui and Zaya, Octavio. `Moving In: Eight Contemporary African Artists,’ Flash Art (No. 186: January - February, 1996).
* Enwezor, Okwui. `Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation,’ Third Text 40 (Autumn, 1997).
* Enwezor, Okwui and DeBord, Matthew (editors). Trade Routes: History and Geography. (2nd Johannesburg Biennale Catalogue, 1997).
* Falconer, Morgan. `Hallucinating Love / Asprey Jacques,’ What’s On In London (July 18 – 25, 2001).
* Fichtner, Heidi. `Global Art: Das Lied von der Erde,’ Nu: The Nordic Art Review (No. 6: 2000).
* Gardner, Belinda Grace. ‘Kein Heuhaufen fällt zweimal in denselben Fluß,’ Frankfurter Allgemeine Zeitung (October 24, 2001).
* Gardner, Belinda Grace. `Ins Museum, der Fernseher wegen,’ Die Welt (Sunday, May 19, 2002).
* Geldard, Rebecca. ‘Candice Breitz / Asprey Jacques,’ Time Out (London: 19 – 26 March, 2003).
* Gianelli, Ida and Beccaria, Marcella. Castello di Rivoli Museum of Contemporary Art: The Castle – The Collection. (Turin: Umberto Allemandi & C., 2003) p. 114.
* Gilerman, Dana. 'Capital Idea,' http://www.haaretz.com/hasen/spages/393417.html
* Gohlke, Gerrit. `Schutz und Trutz, Stirn und Hand: Über Alien – eine Videoinstallation von Candice Breitz,’ BE Magazin # 9 (Berlin: Künstlerhaus Bethanien, 2003) pp. 116 – 122.
* Graham-Dixon, Andrew. `Implosion of the body-snatched,’ The Sunday Telegraph (Sunday, September 11, 2005) p. 6.
* Groetz, Thomas. Galerie Max Hetzler: Berlin 1994 - 2003. (Berlin: Holzwarth Publications, 2003).
* Grosenick, Uta and Riemschneider, Burkhard. ART NOW: 137 Artists at the Rise of the New Millennium. (Cologne and Berlin: Taschen, 2002).
* Grosenick, Uta. ART NOW: The New Directory to 136 International Contemporary Artists. (Cologne: Taschen, 2005).
* Grosse, Julia. ‘Sing, und du wirst integriert,’ Die Tageszeitung (Friday, November 8, 2002).
* Grumberg, Amiel. ‘Art et Tourisme: le Guide du Rout'Art,’ Beaux Arts Magazine (No. 242: July, 2004).
* Güner, Fisun. ‘Art Spoken from a Soapbox / Candice Breitz: Diorama,’ Metro (Friday, February 28, 2003) p. 22.
* Güner, Fisun. ‘Candice Breitz,’ Metro (Monday, September 12, 2005) p. 33.
* Gupta, Anjali. ‘The Conversation: A Discussion with ArtPace’s Candice Breitz,’ San Antonio Current (February 21 – 27, 2002) p. 15.
* Haines, Bruce. 'Candice Breitz: Re-Animations / Jim Lambie: Male Stripper,' Contemporary (London: November – December 2003) p. 71.
* Henry, Max. ‘Gotham Dispatch,’ artnet.com magazine (www.artnet.com/magazine/reviews).
* Herkenhoff, Paulo and Pedrosa, Adriano (editors). XXIV Bienal de São Paulo: “Roteiros,” (São Paulo: Takano Editora Gráfica Ltda, 1998).
* Herzog, Samuel. ‘Hätte man das Goldene Horn doch bloss ausfliessen lassen,’ Basler Zeitung (Tuesday, September 21, 1999).
* Herzog, Samuel. ‘Istanbul Sechste Internationale Biennale,’ Kunst-Bulletin (No. 11: November, 1999).
* Higgie, Jennifer. `Istanbul Biennial,’ Frieze (Issue 50: January - February, 2000).
* Himmelsbach, Sabine. ‘Body Check,’ Ethik & Unterricht (jg. 11, 2/2001) p. 12.
* Höbel, Wolfgang. `Casanovas, Freaks und Patrioten,’ Der Spiegel Online (Monday, September 5, 2005).
* Hoffmann, Justin. `Inklusion:Exklusion,’ Kunstforum (No. 136: February - May 1997).
* Hofmann, Isabelle. `Serientäter unter sich,’ Kunstzeitung (No. 64: Dezember, 2001).
* Hofmann, Isabelle. `Vom Gesetz der Serie: Die Hamburger Kunsthalle präsentiert eine große internationale Ausstellung,’ Hannoversche Allgemeine Zeitung (Hannover: November 26, 2001).
* Holm, Michael Juul. ‘Tragedy Framed: Mother + Father,’ in: Holm, Michael Juul and Kold, Anders (editors). Sip My Ocean: Video from the Louisiana Collection. (Humlebaek: Louisiana Museum of Modern Art, 2006) exhibition catalogue.
* Hunt, David. ‘Candice Breitz: Fighting Words,’ Flash Art (No. 211: March - April, 2000).
* Hunt, David. `Sixth International Istanbul Biennial,’ Art & Text (No. 68: February - April, 2000).
* Jahn, Wolf. ‘Flimmern in der Höhle: Videokunst in der Galerie der Gegenwart,’ Hamburger Abendblatt (Hamburg: April 13, 2002).
* Johnson, Ken. `Girls on Film,’ New York Times (Friday, August 26, 2005).
* Johnson, Ken. `Tomorrow,’ New York Times (Friday, July 14, 2000).
* Johnson, Ken. `West Side: The Armory Show on the Piers Just Keeps Growing,’ New York Times (Friday, February 23, 2001).
* Jones, Alice. `My family and other actors,’ The Independent (London: Monday, September 5, 2005) p. 43.
* Kandel, Susan. `Feminine Perspective,’ Los Angeles Times (Friday, April 18, 1997).
* Keller, Claudia. ‘Idylle mit Leichen,’ Der Tagesspiegel (Berlin: August 23, 2000) p. 26.
* Kibanda, Nadine. ‘Out of Africa: La Storia Oltre Le Frontiere,’ Flash Art Italia (February – March, 2000) p. 78.
* Kazuko, Koike et al. Emotional Site. (Exhibition Catalogue: Saga-cho Shokuryo Building, Tokyo, 2002).
* Kent, Sarah. ‘Screen Idols,’ Time Out (London: 21- 28 September, 2005) p. 57.
* Kojima, Yayoi. `People: Candice Breitz,’ Esquire Magazine (Tokyo: January 2003, Vol. 17. No. 1) p. 47.
* Knöfel, Ulrike. ‘Kunst kommt von Zappen,’ Der Spiegel (Germany: Nr. 33 / 13.08.01) p. 167.
* Korotkin, Joyce. 'Candice Breitz: Sonnabend Gallery, New York,' Tema Celeste 103 (May - June, 2004) p. 93.
* Kortun, Vasif and Antmen, Ahu. ‘The Istanbul Fall: A Journey Through a Sensitive Megapolis,’ Flash Art (No. 209: November - December, 1999).
* Kravagna, Christian. ‘Mr. Livingstone, I presume...’ Springerin (Vienna: Band III, Heft 2/97).
* Kröner, Magdalena. `Candice Breitz: Schreien, Stottern, Singen: Das Playback des Ich: Ein Gespräch mit Magdalena Kröner,’ Kunstforum (No. 168: January 2004) pp. 276- 283.
* Krumpl, Doris. `Sanfter Tod mit Liebesliedern: Candice Breitz mit “Cuttings” im Linzer O.K Centrum für Gegenwartskunst,’ Der Standard (Vienna: 4 July, 2001).
* Lange, Christy. `Crazy for You: Candice Breitz on Pop Idols & Portraiture,’ Modern Painters (London: September 2005) pp. 68 – 73.
* Law, Jennifer. ‘Ghost Stories: Democracy, Duplicity and Virtuality in the Work of Candice Breitz,’ Frauen Kunst Wissenschaft (Heft 29: June 2000).
* Liebs, Holger. ‘Wenn der Skorpion auf die Grille trifft,’ Süddeutsche Zeitung (Munich: November 12, 1998).
* Louis, Eleonora. `Candice Breitz: Cuttings,’ Springerin (Vienna: Band VII, Heft 3/01) p. 68.
* MacAlister, Katherine. ‘Chewing up pop culture,’ The Oxford Mail (Oxford: Friday, September 12, 2003) p. 17.
* Marchart, Oliver. `Geschüttelt, nicht gerührt,’ Falter Verlag (Vienna: October 3, 1996).
* Marzo, Jorge Luis et al. en el lado de la televisión. (Exhibition Catalogue: Espai d’Art Contemporani de Castelló, Castellon, 2002).
* Matt, Gerald. Handlungsanweisungen. (Exhibition Catalogue: Kunsthalle Wien - Steidl Verlag: Vienna, 2004).
* Mayer, Gabriele. ‘Frauen brauchen schußsichere Kleider: In der Nürnberger Kunsthalle treffen sich Kunst und Mode,’ Frankfurter Allgemeine Zeitung (Frankfurt: January 14, 2004).
* Menin, Samuela and Sansone, Valentina. ‘Focus Video and Film / Contemporary Video Art Today (Part I),’ Flash Art (No. 228: January - February, 2003) p. 89.
* Michelson, Anders and Zaya, Octavio (editors). Interzones: A Work In Progress.  (Kunstforeningen: Copenhagen,  22 June - 25 August, 1996).
* Mullins, Charlotte. `Sigmar Polke and Candice Breitz: Taking Pot Shots at a Media-Saturated World,' The Financial Times (London: October 1, 2003).
* Murray, Soraya. `Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose, Fatimah Tuggar,’ Nka Journal of Contemporary African Art (Number 16/17, Fall/Winter 2002) p. 88.
* Nakabayashi, Kazuo (editor). A Perspective on Contemporary Art: Continuity / Transgression. (Exhibition Catalogue: The National Museum of Modern Art, Tokyo, 2002).
* Nemeczek, Alfred. ‘Regie führt das Leben.’ Art: Das Kunstmagazin (No. 9 / September 2000).
* Nochlin, Linda. ‘Venice Biennale: What Befits a Woman?’ Art in America (No. 8: September, 2005) pp. 120 - 125.
* Noè, Paola. ‘Candice Breitz: Galleria Francesca Kaufmann,’ Tema Celeste (March - April, 2000).
* Nord, Cristina. ‘Zu viele Männer,’ Die Tageszeitung (Berlin: September 8, 2005) p. 16.
* Nilsson, John Peter. `Få vågar så,’ Aftonbladet (Stockholm: May 25, 2003) p. 4.
* Okeke, Chika. `Lost in Translation: Dilemmas of a Strange Planet,’ in: Byrd, Cathy (editor). Strange Planet. (Atlanta: Ernest G. Welch School of Art & Design Gallery / Georgia State University & Saltworks Gallery, 2004) exhibition catalogue.
* Pace, Linda et al. Dreaming Red: Creating ArtPace. (Verona: Artegrafica, 2003).
* Peacocke, Helen. ‘Art: Candice Breitz and Jim Lambie: Modern Art Oxford,’ The Oxford Times (Oxford: Friday, September 19, 2003).
* Peacocke, Helen. ‘Stars and stripes of art gallery’s season: Candice Breitz and Jim Lambie at Modern Art Oxford,’ The Oxford Times (Oxford: Friday, September 12, 2003) pp. 4-5.
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* Phillips, Christopher. ‘Report from Istanbul: Band of Outsiders,’ Art in America (April, 2000).
* Piccoli, Cloe. `People: Candice Breitz,' Carnet Arte (Milan: June – July, 2004) p. 68.
* Politi, Giancarlo (editor). Tirana Biennale 1. (National Gallery & Chinese Pavilion: Tirana, 15 September – 15 October, 2001) exhibition catalogue.
* Pollack, Barbara. ‘Africa’s Avant-Garde - The Newest Avant-Garde,’ Artnews (April, 2001).
* Powell, Ivor. `Watch This Artist,’ The Weekly Mail and Guardian (Johannesburg: March 18-24, 1994).
* Preuss, Sebastian. `Viel Heu, wenig Mitte,’ Berliner Zeitung (Berlin: January 9, 2002).
* Rappolt, Mark. `Lucky Star: Candice Breitz,’ i-D Magazine Vol. II/XVI  No. 266 (May, 2006) pp. 118 - 121.
* Ratnam, Niru. `Up Front On The Verge: Candice Breitz,’ OM: Observer Magazine (London: Sunday, August 24, 2003) p. 15.
* Ratzeburg, Wiebke et al. Aufruhr der Gefühle: Leidenschaften in der zeitgenössischen Fotografie und Videokunst. (Braunschweig: Museum für Photographie Braunschweig, 2004) exhibition catalogue.
* Richter, Peter. `Wann platzt die Blase?’ Monopol (No. 4/2005: August – September) p. 20.
* Robecchi, Michele. `Reviews: Candice Breitz / Francesca Kaufmann,’ Flash Art Italia (No. 231: December 2001 - January, 2002).
* Robecchi, Michele. `Candice Breitz,’ Contemporary (Issue 76: 2005) pp. 34 – 37.
* Rohr-Bongard, Linde. ‘Kunst-Kompass: Stars von Morgen,’ Capital (No. 23/2000) p. 238.
* Rohr-Bongard, Linde. ‘Kunst-Kompass: Stars von Morgen,’ Capital (No. 13/2002).
* Rollig, Stella et al. Open House. – Art and the Public Sphere. (Linz: O.K Center for Contemporary Art Upper Austria, 2004) exhibition catalogue.
* Sans, Jérôme and Hsu, Manray. The Sky is the Limit: 2000 Taipei Biennial. (Exhibition Catalogue: Taipei Fine Art Museum, 2000).
* Schaufelberger, Peter. `Babylonische Sprachverwirrung: Video-Installation von Candice Breitz in St. Gallen,’ Südkurier (St. Gallen: May 12, 2001).
* Schaufelberger, Peter. `Mit Haut und Haar: Striptease, vom Verschleiern und Enthüllen – eine Austellung im Kunstmuseum St. Gallen,’ Südkurier (St. Gallen: June 14, 2003) p. 30.
* Schellen, Petra. `Obsessionen... Zählen, bis man von der Zeit eingesogen wird: Serien Ausstellung in der Kunsthalle,’ Die Tageszeitung (Berlin: October 25, 2001).
* Schlüter, Ralf. `Monets Vermächtnis: Im Rausch der Wiederholung,’ Art (December, 2001).
* Schmahmann, Brenda. Through the Looking Glass: Representations of Self by South African Women Artists. (Johannesburg: David Krut Publishing, 2004) pp. 80 – 81.
* Schmitz, Edgar. `Candice Breitz: Re-Animations,’ Kunstforum (Band 167: November – December 2003) pp. 346-8.
* Schoch, Ursula Badrutt. `Augentauchen: Das Kunstmuseum St. Gallen enthüllt in einem künstlerischen "Striptease" sein Können,’ St. Galler Tagblatt (St. Gallen: May 2, 2001) p. 22.
* Schoch, Ursula Badrutt. `Kakofonie im Weltdorf: Candice Breitz im Kunstverein im Katharinen in St. Gallen,’ St. Galler Tagblatt (St. Gallen: March 29, 2003) p. 31.
* Smith, Kathryn. ‘Convergence/Divergence: Voyages into Mutant Technologies’ (catalogue essay). Southsul (Johannesburg, March 2001). 
* Smith, Roberta. ‘A Medium in the Making: Slicing Familiar Films Into Something New,’ New York Times (Friday, July 29, 2005).
* Sonna, Birgit. ‘Cindy Shermans kleine Schwestern,’ Süddeutsche Zeitung (Munich: August 26, 1998).
* Sonna, Birgit. ‘Namen sind nur Schall und Rauch,’ Süddeutsche Zeitung (Munich: March 31, 1999).
* Spiegler, Marc. ‘Candice Breitz: Max Hetzler, Berlin,' Artnews (March, 2004) p. 140.
* Spiegler, Marc. ‘The Venice Effect,’ The Art Newspaper (Basel: Wednesday, June 15, 2005).
* Stange, Raimar. ‘Candice Breitz im Museum Folkwang,’ Kunst-Bulletin (November, 2002).
* Stange, Raimar. ‘Candice Breitz in der Galerie Hetzler: Monitor mit Nabelschnur,’ Der Tagesspiegel (Berlin: October 4, 2003) p. 28.
* Stange, Raimar. ‘Candice Breitz: Galerie Max Hetzler,' Flash Art (No. 233: November - December, 2003) p. 104.
* Stange, Raimar. ‘Candice Breitz: Mediale Aliens,’ u_Spot (0/2003) p. 13.
* Stange, Raimar. ‘Pop Goes Politics: Art, Music, Politics,' Flash Art Italia (No. 244: February - March, 2004) pp. 124-126.
* Stange, Raimar. ‘Raimar Stange über Candice Breitz,’ Artist Kunstmagazin 54 (1/2003) p. 24.
* Stange, Raimar. Zurück in die Kunst. (Hamburg: Rogner & Bernhard bei Zweitausendeins, 2003).
* Sumiyoshi, Chie. `Mito: Candice Breitz,’ Brutus (Tokyo: Vol. 5, No. 1, 2002) p. 155.
* Sumpter, Helen. ‘Candice Breitz: Re-Animations / This is not a Love Song,’ The Big Issue (London: September 29, 2003).
* Tatot, Claude-Hubert. ‘Parole et parole et parole... Candice Breitz: Babel Series,’ Papiers Libres Art Contemporain (Geneva: No. 21, July 2000).
* van den Berg, Clive et al. Klein Karoo National Arts Festival 2002 (Exhibition Catalogue).
* Van Teeseling, Steven. ‘Worsteling met de echte wereld,’ De Groene Amsterdammer (Amsterdam: July 1, 2005) p. 28.
* Vetrocq, Marcia. ‘Venice Biennale: Be Careful What You Wish For,’ Art in America (No. 8: September, 2005) p. 113.
* Vogel, Matthias. `Mythos Cyborg: Der “Maschinenmensch” als Thema der Gegenwartskunst,’ Neue Zürcher Zeitung (Thursday, March 13, 2003).
* Volk, Gregory. ‘Candice Breitz at Sonnabend,’ Art in America (No. 11: December, 2005).
* Von Hausswolff, Carl Michael and Nohlström, Åsa. Against All Evens: 2nd International Biennial for Contemporary Art in Göteborg. (Exhibition Catalogue:  Hasselblad Center, Göteborg, 2003).
* Wainwright, Jean, `Candice Breitz: Modern Art Oxford,' Art Monthly (No. 271: November 2003) pp. 18-19.
* Wainwright, Jean, `Can we talk about contemporary video and film art in terms of genres?’ PLUK (No. 2 / London: September – October, 2001).
* Wappler, Friederike. `The Piece goes on... Prozesskunst, Video und endlos währende Repetition,’ in: Schneede, Uwe et al. Monets Vermächtnis. Serie – Ordnung und Obsession. (Hatje Cantz Verlag: Hamburger Kunsthalle, 2001). 
* Weibel, Peter (editor). Inklusion/Exklusion: Art in the Age of Postcolonialism and Global Migration. (Cologne: Dumont, 1997).
* Weil, Rex. ‘Candice Breitz: De Appel / Amsterdam,’ Artnews (Summer, 2002) p. 184.
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* Wendland, Johannes et al. ‘Neue Heimat: Warum ausländische Künstler in Berlin leben,' Zitty (Berlin: 8/2004, 01.04.04 – 14.04.04) p. 23.
* Werneburg, Brigitte. `Reigen der Affekte: Aufruhr der Gefühle,' Die Tageszeitung (Friday, August 20, 2004) p.16.
* Weskott, Hanne. ‘Schlagerkitsch und meditative Landschaften,’ Süddeutsche Zeitung (Munich: October 11, 2000).
* Whitfield, Sarah. `Exhibition Reviews: Candice Breitz at White Cube,’ The Burlington Magazine (London: Volume CXLVII, Number 1232, November 2005) pp. 766 - 767.
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* Zaya, Octavio (editor). Interferencias. (Madrid: Tabapress, 1998).
* Zaya, Octavio. `Reflections on Candice Breitz’s Rorschach Series,’ TRANS (New York: Winter, 1998).
* Zolghadr, Tirdad et al. Venice Biennale 2005,’ Frieze (Issue 93: September, 2005) p. 101.