Janice Kerbel
Born 1969 in Canada,
lives in London.
EDUCATION
1995-96 Goldsmith´s College, University of London
1992-94 Emily Carr College of Art and Design, Vancouver
1993 Skohegan School of painting and Sculpture, Maine, USA
1991-92 University of British Columbia
1988-91 University of Western Ontario
SOLO EXHIBITIONS
2007
Vamiali’s, Athen
2006
"1st at Moderna, Moderna Musset", Stockholm
"Ghosttown: Deadstar", Locus+, Newcastle
"The impossible Landscape", Horticural Society, New York (with Darren Almond)
2004
Galerie Karin Guenther Nina Borgmann, Hamburg
2003
Norwich Gallery of Art, Norwich, curated by Lynda Morris (cat.)
2001
"Suspicion", Artspeak Gallery Vancouver, curated by Lorna
Brown (cat.)
"Exuma Emerald", Flatlands, Totonto, curated by Painting Disorders
2000
”JK/JK (Janice Kerbel/Joachim Koestler)”, Arnolfini, Bristol, curated by Catsou Roberts (cat.)
"Bird Island", Lux Gallery, London, curated by Simon Faithful
1999
"Home Fittings", Piano Nobile, Genf, curated by Pascal Mabut + Marie-Eve Knoerle
"3 Marked Decks", Gasworks, London, curated by UNIT
1996
"antidote", YYZ Artist`s Outlet, Toronto
GROUP EXHIBITIONS (selection)
2008
“#2”, European Kunsthalle, Cologne
“Mysteries”, Stephen Wirtz Gallery, San Francisco
Galerie Karin Guenther, Hamburg
SEE history, Kunsthalle Kiel
Krobath Wimmer, Vienna
“Typed”, Sadie Coles HQ, London
Villa Arson “Acclimatation”
2007
“True Romance”, Kunsthalle Wien (travelling)
Montreal Biennale
2006
Love Letter, Herald St, London
Ruby Satellite, Hyde Park Art Gallery, Chicago
Sobey Art Award, Musee des beaux-arts, Montreal
Impossible, University Gallery, University of Massachusetts in
Amherst"Around the World in Eighty Days", ICA, Institute of
Contemporary Arts and SLG, South London Gallery, London
"Eine Person allein in einem Raum mit Coca-Cola farbenen Wänden", Kunstverein Graz, Österreich
2005
"I really should", Summer Groupshow, Lisson Gallery, London, curated by Stefan Kalmar
"British Art Show 6", Baltic, Newcastle, curated by Alex Farquharson and Andreas Schlieker (publication)
"Truth Universally Acknowledged", Australia Centre for Contemp Art, Victoria, curated by Rebecca Coates
PUBLICATIONS AND PROJECTS
2007
“Nick Silver Can’t Sleep” radioplay, broadcasted by BBC3 and performed at Tate Britain, London
2004
Insomniacs’ Garden, Artangel commission, London
2003
Home Climate Garden Calendar, Norwich Gallery and Tyndall Centre, Norfolk
‘Small Islands’ in Nanoscopic Culture, National Institute for Medical Research, ed. by Miria Swain
2002
‘Garden for Agoraphobe’ in Landing: 8 Collaborative Projects, AHRB, London, ed. by Ingrid Swensen
2001
‘Welcome to Bird Island’ in Here, There, Elsewhere, Open Editions, London, edited by David Blamey
Home Conjuring Unit, Film & Video Umbrella web-based commission, http:/slipstream.uk.net, curated by S Bode
2000
15 Lombard Street, artist’s book, published by BookWorks, London, commissioned by Stephan Kalmar
Bird Island, web-based project, http://www.bird-island.com, curated by e-2
1999
‘Home Fittings’, in Social Insecurity, artist project for Alphabet City Issue 7, edited by Cor Heesters
‘Underwood’ in 297 x 210, artist’s project for Arthur R. Rose publication, edited by Alun Rowlands
1996
‘Flourish’ in The Notebook Project, Contemporary Art Gallery, Vancouver, edited by David MacWilliam
RESIDENCIES AND RESEARCH PROJECTS
2005 Ucross Foundation, Wyoming USA, artist-in-residence
2002 Tyndall Centre for Global Climate Change, artist-in-residence
National Institute for Medical Research, research residency
BIBLIOGRAPHY (selection)
Sally O’Reilly, ' Janice Kerbel', frieze, January-February 2007
Terence Dick, 'The Mapmaker', Canadian Art, Winter 2006
Mark Godfrey, 'Janice Kerbel', Artforum, January 2006
Jens Asthoff, "Janice Kerbel...", Kunstbulletin, 7/8, page 43, 2004
Jennifer Higgie,’Get it while you can’, frieze, September 2003
Sarah Elton, ‘Perfect Heists’, Lola Magazine, Juni 2002
William Zimmer, ‘The Long arm of the law reaches into the art gallery’, The New York Times, 15 Juli 2001
Mark Irving, ‘Everything you need to know about a bank robbery’, Financial Times, 2 Juni 2001
Alison Green, ‘Access/Excess’, Art Monthly, Januari 2001
Roy Exley, ‘From here to betweenity’, Parachute Magazine, Okt–Dez 2000
Dalya Alberge, ‘Artist framed in a guide to the perfect robbery’, The London Times, 26 November 1999
Mark Currah, ‘Janice Kerbel’, Time Out London, Juni 1999
David Barrett, ‘Surfacing – Contemporary Drawing’, Art Monthly, November 1998